Sayaw Sa Banko
This dance is native to the barrio of Pangapisan, Lingayen,
Pangasinan, and demands skill from its performers who must dance on top of a
bench roughly six inches wide.
Tinkling
Tinnikling is considered the national folkdance with a pair of
dancers hopping between two bamboo poles held just above the ground and struck
together in time to music. Originated from Leyte Province, this dance is in
fact a mimic movement of “tikling birds” hopping over trees, grass stems or
over bamboo traps set by farmers. Dancers perform this dance with remarkable
grace and speed jumping between bamboo poles.
Subli
The term “subli” is from two tagalog words “subsub” meaning
falling on head and “bali”, which means broken. Hence, the dancers appear to be
lame and crooked throughout the dance. This version is originally a ritual
dance of the natives of Bauan, Batangas, which is shown during fiestas as a
ceremonial worship dance to the town’s icon, the holy cross
Maglalatik
Originally performed in Binan, Laguna as a mock-war dance that
demonstrates a fight between the Moros and the Christians over the prized latik
or coconut meat during the Spanish rule, this dance is also shown to pay
tribute to the town’s patron saint, San Isidro Labrador. It has a four-part
performance such as the palipasan and the baligtaran showing the intense
battle, the paseo and the escaramusa- the reconciliation. Moro dancers wear
read trousers while the Christian dancers show up in blue. All dancers are
male; with harnesses of coconut shells attached on their chests, backs, thighs
and hips
Singkil
Sinkil dance takes its name from the bells worn on the ankles of the Muslim
princess. Perhaps one of the oldest of truly Filipino dances, the Singkil
recounts the epic legend of the "Darangan" of the Maranao people of
Mindanao. This epic, written sometime in the 14th century, tells the fateful
story of Princess Gandingan, who was caught in the middle of a forest during an
earthquake caused by the diwatas, or fairies or nymph of the forest.
Asik
This is performed by a
solo madien, adorned with fine beads and make up, long head scarf. She would
dance to win the favor of her Sultan master. Many time the girls would dance to
win the hearts of her master or to make up for a wrong she had done. She would
give her whole heart and soul into this performance to soften the heart of her
master to accept her.
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